Ben Carson, Donald Trump, and the Misuse of American History

Earlier this week, Ben Carson, the somnolent surgeon dispatched to oversee the Department of Housing and Urban Development on behalf of the Trump Administration, created a stir when he referred to enslaved black people—stolen, trafficked, and sold into that status—as “immigrants” and spoke of their dreams for their children and grandchildren. In the ensuing hail of criticism, Carson doubled down, saying that it was possible for someone to be an involuntary immigrant. Carson’s defenses centered upon strict adherence to the definition of the word “immigrant” as a person who leaves one country to take up residence in another. This is roughly akin to arguing that it is technically possible to refer to a kidnapping victim as a “house guest,” presuming the latter term refers to a temporary visitor to one’s home. Carson had already displayed a propensity for gaffes during his maladroit Presidential candidacy, and it might be easy to dismiss his latest one as the least concerning element of having a neurosurgeon with no relevant experience in charge of housing policy were it not a stand-in for a broader set of concerns about the Trump Administration.

A week earlier, Betsy DeVos, the Secretary of Education, had described historically black colleges and universities as pioneers in school choice—a view that can only co-exist with reality if we airbrush segregation into a kind of level playing field in which ex-slaves opted to attend all-black institutions rather than being driven to them as a result of efforts to preserve the supposed sanctity of white ones. The Trump Administration is not alone in proffering this rosy view of American racial history. Last week, in a story about changes being made at Thomas Jefferson’s estate, Monticello, the Washington Post referred to Sally Hemings, the enslaved black woman who bore several of Jefferson’s children, as his “mistress”—a term that implies far more autonomy and consent than is possible when a woman is a man’s legal property. Last fall, the textbook publisher McGraw-Hill faced criticism for a section of a history book that stated, “The Atlantic Slave Trade between the 1500s and 1800s brought millions of workers from Africa to the southern United States to work on agricultural plantations.” The word “worker” typically carries the connotation of remuneration rather than lifelong forced labor and chattel slavery.

One part of the issue here is the eliding of the ugliness of the slave past in this country. This phenomenon is neither novel nor particularly surprising. The unwillingness to confront this narrative is tied not simply to the miasma of race but to something more subtle and, in the current atmosphere, more potentially treacherous: the reluctance to countenance anything that runs contrary to the habitual optimism and self-anointed sense of the exceptionalism of American life. It is this state-sanctioned sunniness from which the view of the present as a middle ground between an admirable past and a halcyon future springs. But the only way to sustain that sort of optimism is by not looking too closely at the past. And thus the past can serve only as an imperfect guide to the troubles of the present.

In his 1948 essay “The Gangster as Tragic Hero,” Robert Warshow wrote about the mid-century efforts to pressure studios to stop producing their profitable gangster movies. The concerns focussed partly upon the violence of the films but more directly upon the fear that these films offered a fundamentally pessimistic view of life and were therefore un-American. There is a neat through-line from those critics to Ronald Reagan’s “Morning in America” idealism to the shopworn rhetoric of nearly every aspirant to even local public office that the nation’s “best days are ahead of us.” We are largely adherents of the state religion of optimism—and not of a particularly mature version of it, either. This was part of the reason Donald Trump’s sermons of doom were seen as so discordant throughout last year’s campaign. He offered followers a diet of catastrophe, all of it looming immediately if not already under way. He told an entire nation, in the most transparently demagogic of his statements, that he was the only one who could save it from imminent peril. And he was nonetheless elected President of the United States.

Strangely enough, many of us opted to respond to Trump’s weapons-grade pessimism in the most optimistic way possible, conjuring best-case scenarios in which he would simply be a modern version of Richard Nixon, or perhaps of Andrew Jackson. But he is neither of these. Last summer, as his rallies tipped toward violence and the rhetoric seemed increasingly jarring, it was common to hear alarmed commentators speak of us all being in “uncharted waters.” This was naïve, and, often enough, self-serving. For many of us, particularly those who reckon with the history of race, the true fear was not that we were on some unmapped terrain but that we were passing landmarks that were disconcertingly familiar. In response to the increasingly authoritarian tones of the executive branch, we plumbed the history of Europe in the twentieth century for clues and turned to the writings of Czeslaw Milosz and George Orwell. We might well have turned to the writings of W. E. B. Du Bois and James Baldwin for the more direct, domestic version of this question but looked abroad, at least in part, as a result of our tacit consensus that tragedy is a foreign locale. It has been selectively forgotten that traits of authoritarianism neatly overlap with traits of racism visible in the recent American past.

The habitual tendency to excise the most tragic elements of history creates a void in our collective understanding of what has happened in the past and, therefore, our understanding of the potential for tragedy in the present. In 1935, when Sinclair Lewis wrote “It Can’t Happen Here,” it already was happening here, and had been since the end of Reconstruction. In 1942, the N.A.A.C.P. declared a “Double V” campaign—an attempt to defeat Fascism abroad and its domestic corollary of American racism.

Similarly, it was common in the days immediately following September 11th to hear it referred to as the nation’s first large-scale experience with terrorism—or at least the worst since the 1995 Oklahoma City bombing, staged by Timothy McVeigh. But the nation’s first antiterrorism law was the Klan Act of 1871, designed to stall the attempts to terrorize emancipated slaves out of political participation. McVeigh’s bombing, which claimed the lives of a hundred and sixty-eight people, was not the worst act of terrorism in the United States at that point—it was not even the worst act of terrorism in the history of Oklahoma. Seventy-four years earlier, in what became known as the Tulsa Race Riot, the city’s black population was attacked and aerially bombed; at least three hundred people were killed. Such myopia thrives in the present and confounds the reasoning of James Comey, who refused to declare Dylann Roof’s murder of nine black congregants in a South Carolina church, done in hopes of sparking a race war, as an act of terrorism—a designation he did not withhold from Omar Mateen’s murderous actions in the Pulse night club, in Orlando.

The American capacity for tragedy is much broader and far more robust than Americans—most of us, anyway—recognize. Our sense of ourselves as exceptional, of our country as a place where we habitually avert the worst-case scenario, is therefore a profound liability in times like the present. The result is a failure to recognize the parameters of human behavior and, consequently, the signs of danger as they become apparent to others who are not crippled by such optimism. A belief that we are exempt from the true horrors of human behavior and the accompanying false sense of security have led to nearly risible responses to Trumpism.

It has become a cliché of each February to present the argument that “black history is American history,” yet that shopworn ideal has new relevance. A society with a fuller sense of history and its own capacity for tragedy would have spotted Trump’s zero-sum hustle from many miles in the distance. Without it, though, it’s easy to mistake the overblown tribulations he sold his followers for candor, not a con. The sense of history as a chart of increasing bounties enabled tremendous progress but has left Americans—most of us, anyway—uniquely unsuited to look at ourselves as we truly are and at history for what it is. Our failure to reckon with this past and the centrality of race within it has led us to broadly mistake the clichés of history for novelties of current events.